Pablo

Making commercial sense in italy Gruppo Anteprima is one of Italy’s major post players. Founded in 1993 in Milan, the company now has offices in Rome in addition to its much expanded Milan headquarters. From its inception, Gruppo Anteprima earned itself a strong reputation for its high end commercials post production work. This quickly became the cornerstone of its business, fuelling massive growth for the company. Much of this work was based around Quantel equipment, which, as Co-owner and General Manager Alfredo Palumbo puts it, “really contributed to our growth.”

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	Q got The Look Soho, London-based post production boutique The Look was set up by ex-MPC man Thomas Urbye to service the high-end finishing and color correction market. The business is centred around a Quantel eQ finishing system. This Case Study checks out Thomas's recipe for success in a highly competitive market, and highlights his work on the recent high profile Fiat 500 launch campaign.
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	Pixion successfully mends Broken Thread Mumbai is a city known as the home of India’s biggest film industry – Bollywood. While right now this fame mainly centres on the production side of the movie business, soon Mumbai’s post-production industry may be as well known with Post and DI house Pixion right at the forefront of this revolution.
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	Milagro Post puts pedal to the metal with Pablo 2K Motor City post house cruises through high capacity color correction with Quantel
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The ultimate test? iQ Pablo shines for the American Society of Cinematographers. In early 2000 Goldcrest Post opened its doors in New York City’s West Village, specifically to facilitate post-production for the independent filmmaker. In 2004, the company opened its brand new 2K/HD Digital Intermediate Theater with the Quantel iQ at its hub. This theater, unique to the East Coast, provides clients with 2K data or HD online editorial and color correction services to a large screen.

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Out of this world How do you get your post house to really stick out in clients’ minds? According to Barry Chambers, President of the leading Vancouver, Canada, post house Rainmaker, the basic formula is quite simple but there’s a twist too: “Consistency is the secret of our success – I like to think that people remember us for client service, management and technical expertise. But top of the list always seems to be ‘Oh yeah – you’re the guys with the pub!’”

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	Scaling the heights at Ascent Media Ascent Media has created a new benchmark for DI by expanding their current DI workflows with the first installation of the Quantel iQ and Pablo with 4K capability. Ascent Media created a high-end Digital Intermediate suite designed specifically for post theatrical feature restoration and digital source mastering at its new Digital Media Data Center (DMDC).
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iQ and Pablo at LipSync Post In 2002, the London post house LipSync was one of the first to install iQ. Since then its two iQs have graded many film projects and the company is well established in the digital intermediate business. But LipSync has a somewhat different approach to both DI and post by offering a one-stop shop for its customers, with a growing number using them all the way from scanning to film output and deliverables – and including sound. In 2006, LipSync became the first company in London to install the new Pablo, Quantel’s next generation color correction system.

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	eQ and Pablo create formidable ROI For Goldcrest Post Goldcrest Post Production first expanded into HD finishing post services in 2004. The company, based in New York’s Greenwich Village, jumped head first into the business by purchasing a Quantel HD eQ editing/ effects/ grading/ deliverables system, configured with the powerful QColor in-context color correction option.
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